THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The Buster Keaton character has his feet on the ground. He can be ashamed to parade his goodness. He takes advantage of ingenuity rather then divinity. Chaplin’s untidy love lifetime implies he felt he deserved whomever he wanted; Keaton in private lifestyle seems to have already been melancholic as a result of alcoholism, but an honest adequate